This chilling tale of religious persecution is served up with a feminist bite.
On an icy, dark island, men hunt witches and women fight back.
British poet and playwright Hargrave plucks a piece of 400-year-old legal history—a European king’s prosecution of 91 people for witchcraft—and gives it a feminist spin. The story opens in 1617 in the Arctic Circle, with a historic, strangely sudden storm off the island of Vardø. Maren, 20, has run to the harbor as her father, brother, and fiance founder in boats at sea. “All about her, other mothers, sisters, daughters are throwing themselves at the weather: dark, rain-slick shapes, clumsy as seals.” Forty men drown in the Christmas Eve storm, leaving their Norwegian womenfolk in a treeless village, sunk in winter darkness. The women winch the men’s corpses off the rocks, up the cliffs, and store them in a boathouse; the ground is far too frozen to breach. They butcher reindeer and, after much dissention, split over the radical step of going to sea to fish for themselves. News reaches the authorities, who send first a preacher, then someone more sinister, Scotsman Absalom Cornet, who has already executed a woman for witchery. He brings a bewildered new wife, Ursa, a young city woman, ignorant of her husband’s history. She forms a fast, unlikely bond with Maren. To Absalom, the lethal storm seems suspiciously supernatural and the customs of the local Laplanders—Sámi people—an abomination. The tension ratchets across the novel’s three sections: “Storm,” “Arrival,” and “Hunt.” The women—divided, watchful, unlettered, and bereaved—are prey, but they are not helpless. In clean, gripping sentences the author is wonderfully tuned to the ways and gestures of a seemingly taciturn people. “Even writing at a distance of four hundred years, I found much to recognize,” she states in her historical note. “This story is about people, and how they lived; before why and how they died became what defined them.”
This chilling tale of religious persecution is served up with a feminist bite.Pub Date: Feb. 11, 2020
ISBN: 978-0-316-52925-9
Page Count: 336
Publisher: Little, Brown
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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