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THE DEPTHS

This tense, haunting tale gives readers front-row seats to the protagonist’s torment.

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Armed strangers kidnap a vacationing couple in Kjeldsen’s (Land of Hidden Fires, 2017, etc.) taut thriller.

After three miscarriages, Marah Lenaerts has been sinking into depression. She’s an American expat who’s been living overseas for years with her trader husband, Eden, a Belgian currently based in Shanghai. Eden has been distancing himself from Marah, but he suggests they take a Malaysian getaway, and Marah reluctantly agrees. This decision may not bode well for her neuroses. Scuba diving is on the itinerary, and it triggers her terror of sea creatures. But the couple seems to grow closer, and Marah’s anxiety eases. This quickly changes when Eden and Marah are accosted by men brandishing M16s. Although the aggressors’ English is limited, it’s abundantly clear that they’re kidnapping the couple. What’s less clear, at least initially, is who their captors are and what exactly they want. Marah has always looked to Eden for a sense of safety and protection. But with her husband just as helpless as she is, she will have to find her own strength. Kjeldsen’s short novel moves at a blistering pace, putting Marah through one ordeal after another. The protagonist’s mass of trepidations amplifies the tension; even breaks from the captors’ threats, for example, are wrought with inner turmoil, including a fear that Eden will attempt escape without her. Sharp, concise writing only improves the tale. Furthermore, readers will relate to many of the experiences and, after tiger mosquitoes, sand flies, and other insects leave behind “a tapestry of bites and rashes,” will feel as uncomfortable and itchy as Marah. The kidnappers’ objective does eventually come to light, and though some will guess where the plot is heading, it won’t lessen the impact of the ending or Marah’s harrowing struggle.

This tense, haunting tale gives readers front-row seats to the protagonist’s torment.

Pub Date: May 31, 2018

ISBN: 978-0-9984657-3-9

Page Count: -

Publisher: Grenzland Press

Review Posted Online: Feb. 23, 2018

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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