A carefully written investigation full of villains—and the occasional hero.
Fast-paced though complex account of ethnic collision among the fisheries of Gulf Coast Texas.
“This is a book about a racist backlash against refugees fleeing a ruinous war,” writes Johnson, author of The Feather Thief, to open a narrative that pits Vietnamese newcomers to East Texas against an array of enemies, most dangerously the KKK. When the Vietnamese arrived, they found few friends among the White fishermen of Galveston Bay, who were happy to sell those newcomers junk boats and machinery at exorbitant prices, as with one who “grinned at a reporter while describing the time he sold a boat to a Vietnamese shrimper for $25,000, even though he knew it was decrepit.” Meanwhile, Johnson notes, a Gallup poll soon after the fall of Saigon “showed only 36 percent of Americans believed refugees fleeing the calamitous war of their country’s own making deserved resettlement,” lending weight to the hostility on a homefront suddenly populated by a wave of 130,000 Vietnamese. One Anglo fisherman bought into the widely circulated lie that among the refugees were Viet Cong agents bent on destroying America, and he began terrorizing two young brothers in “Gook City,” one of whom killed their tormentor. Amazingly, he was acquitted by an all-White jury on the grounds of self-defense, which only lent energy to KKK members from far afield who came to chase the Vietnamese out. In another kind of radicalism, a Taiwanese manufacturer that had been dumping toxic chemicals into the bay, poisoning the fishery, met local resistance that included both Anglos and Vietnamese. In the end, the KKK dwindled away, but “the White supremacist movement charged ahead.” Even though most shrimp consumed here is imported, Johnson observes that the domestic crop is largely brought to market by Vietnamese fishermen. His fascinating and disturbing narrative is a winning mix of biography, true crime, and ecological study.
A carefully written investigation full of villains—and the occasional hero.Pub Date: Aug. 2, 2022
ISBN: 978-1-984880-12-3
Page Count: 368
Publisher: Viking
Review Posted Online: May 23, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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