by Kirsten Hall ; illustrated by Jenni Desmond ‧ RELEASE DATE: Nov. 3, 2020
An attractive addition to the nature shelf.
Rhyming couplets introduce birds one might see in spite of winter snows.
Hall describes behaviors that help 17 species survive cold winters. She begins and ends with the blue jays familiar to readers east of the Rockies: a pair that takes peanuts from a feeder to hide for later and then, in spring, builds a nest for a new generation. In between she introduces a broad range of birds, some residents and some with shorter seasonal migrations that end in parts of the U.S. that are cold and snowy. Carolina wrens, snow geese, black-capped chickadees, American tree sparrows, downy woodpeckers, and northern cardinals are birds whose winter ranges span much of the country; common redpolls, snow buntings, black rosy-finches, Atlantic puffins, Bohemian waxwings, ruffed grouse, great gray and snowy owls, and golden crowned kinglets frequent only small parts. Readers are quite unlikely to encounter an ivory gull stealing its winter food from polar bears! Desmond’s double-page spreads show the birds beautifully, and they include important details about their appearances, their usual numbers, and their environments. Predominantly done in muted tones with lots of black, white, and shades of gray, they have spots of color when appropriate. Where the bird’s sounds aren’t included in the poem, they’re worked into the images. Hall’s skillful poetry reads aloud well, making this a solid candidate for small-group storytime even where the birds—or even the snow—aren’t familiar. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 81.6% of actual size.)
An attractive addition to the nature shelf. (further information) (Informational picture book/poetry. 4-8)Pub Date: Nov. 3, 2020
ISBN: 978-1-4197-4203-3
Page Count: 40
Publisher: Abrams
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Amanda Gorman ; illustrated by Loveis Wise ‧ RELEASE DATE: Jan. 7, 2025
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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by Hannah Eliot ; illustrated by Alina Chau ‧ RELEASE DATE: Dec. 11, 2018
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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