THE CHANGE

Menopause brings more gains than losses for three women in this entertaining thriller.

When menopause arrives for the three women who are the protagonists in this book, they don’t bother with estrogen therapy or worry about chin hairs. They develop superpowers. Harriett Osborne kicks her high-powered advertising career and her dweeby husband to the curb and lets her gift for botany flourish, growing plants for pleasure and for poison (and to really annoy the head of her homeowners association). Jo Levison is first alarmed by the rage that literally sets fire flowing from her hands—hot flashes with a vengeance—but she learns to channel it and starts a successful fitness and self-defense business. Nessa James’ emerging gift is a somber one that’s been handed down by the women in her family: The dead speak to her, but only the dead who need help. All three women live in the manicured little beach town of Mattauk, where bad things aren’t supposed to happen. But when Jo and Harriett accompany Nessa to a secluded beach, where one of those voices is calling to her, they find the body of a young woman decomposing in a garbage bag. And, Nessa says, hers is not the only ghost there. The response from local police is barely apathetic; the cops seem to be protecting someone, or all the someones who live behind gates at the high-priced end of the island. That just makes the trio push harder to find out what’s going on. What they uncover echoes the Jeffrey Epstein case and too many other cases of powerful men exploiting women and getting away with it—or maybe not. The novel takes on serious issues but doesn’t take itself too seriously; there’s plenty of mordant humor, a suspenseful plot, and mostly brisk pacing.

Crime fiction, superpower fantasy, and sharp satire about sexism and ageism mesh for a satisfying read.