by Kit Heyam ‧ RELEASE DATE: Sept. 13, 2022
A capable, worthy demonstration of how the history of disrupting the gender binary is as long as human history itself.
An eye-opening study of the history of gender nonconformity.
In this highly informative text, Heyam, a U.K.–based queer history activist and trans awareness trainer, tells a wide variety of pertinent stories that are often left out of the trans narrative. Many of the ideas that the author explores don’t fit cleanly inside our contemporary notions of trans identity, which is usually able to be verbally confirmed and often includes medical, social, and cultural transitions. Heyam makes the compelling argument that just because people in the past may not have had access to medical transition procedures or modern vocabulary to adequately discuss gender doesn’t mean their experiences outside the gender binary should be ignored. “To say sex and gender are both socially constructed,” writes the author, “isn’t to say they’re not real—like other social constructs, including race, money and crime, they have material and life-changing consequences for all of us—but it is to say there’s no innate reason we have to think about them in the way we do.” The author draws from a remarkable array of historical examples, expanding the definition of what we should consider trans history along the way. Among other eras and locales, Heyam takes us to ancient Egypt, the Edo period in Japan, and a World War II prisoner camp on the British Isles. With great sensitivity and care, they discuss the deleterious effects of European colonization over hundreds of years, the modern Western desire to separate gender and sexuality, and the intersex community. While clearly the work of a diligent historian, the text avoids feeling too dry and is a relatively accessible read. The author’s historical and topical range is impressive, and only a few of the sections are disjointed. Overall, the book will fascinate anyone interested in a subject that many readers likely misunderstand.
A capable, worthy demonstration of how the history of disrupting the gender binary is as long as human history itself.Pub Date: Sept. 13, 2022
ISBN: 978-1-5416-0308-0
Page Count: 352
Publisher: Seal Press
Review Posted Online: July 25, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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