A gratifying romantic and personal adventure.
In Cook’s debut romance, an experimental sleeping pill allows thrilling, lucid dreams, which upends a married woman’s life.
A month ago, Vanessa “Ness” Brown’s husband, Pete, expressed his desire to start a family, and since then, she’s been in turmoil—as reflected in her terrible anxiety dreams. She notes that having children isn’t an unreasonable notion; she and her husband are both in their early 30s and have a strong three-year marriage. But Ness isn’t interested in children, and she can’t even bear thinking about it, let alone tell Pete. She has an undemanding job as a clinical drug trial assistant in downtown Seattle, and one perk is her daily banter with her handsome, laid-back co-worker Altan Young, on whom she has a “teeny, tiny crush.” She discovers that he’s been stealing leftover capsules of a new sleeping pill, Morpheum; his resulting dreams, he says, are “amazing.” Ness decides to try the drug herself, and she gets a great night’s sleep, complete with a delightful dream. She soon finds Morpheum too wonderful to give up—especially after she and Altan start sharing steamy, adventurous encounters within their dreams. Soon, Ness seeks further escape—which leads her into a nightmare. Cook concocts a fantasy with huge appeal; who wouldn’t want to have adventures where we can be our best selves without boundaries? Even Ness’ terrible mistakes, as the author describes them, seem to be a necessary part of her journey. The characterization falters somewhat due to Ness’ insufficiently explained feelings of shame, and Pete doesn’t seem to deserve her harsh treatment. She won’t even tell him about her desire to become a photographer; her justification is that “it felt wrong to want something other than” Pete. Meanwhile, her relationship with Altan seems effortless thanks to the dreams’ “mind meld”; a real-life relationship could never compete. The whole story feels a bit like a wish-fulfilling reverie—but it’s a well-written one, and readers will be glad about a promised sequel.
A gratifying romantic and personal adventure.Pub Date: Feb. 25, 2019
ISBN: 978-1-73299-841-4
Page Count: 310
Publisher: Brass Anvil Books
Review Posted Online: March 7, 2019
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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