Together with its companion, stimulating portraits of two colorful, driven historical figures.
The life and eye-widening feats of a showman who was “always hungry for adventure, challenges, fame, and success.”
Warning would-be imitators away as needed (“Absolutely Do Not Try This!”) Poskitt offers an animated account of Houdini’s career and lifelong devotion to topping his own seemingly impossible tricks and escapes, punctuating it with explicit side explanations of how many of them were done. Along with helpful diagrams and cutaway views, Ford adds frequent depictions of gobsmacked crowds, despairing rivals, and scenes of the “very strong and very bendy” performer hung about with shackles or posing with his closely knit family. (With the exception of the occasional child of color in a contemporary scene, characters depicted are white.) In line with the series premise and overall informal tone, the author refers to him throughout as “Harry” (his stage name). Andrew Prentice does likewise for his free-spirited subject in the co-published Amelia Earhart (illustrated by Mike Smith), taking “Amelia” (or, in childhood chapters, “Millie”) from homemade backyard roller coaster to final disappearance. Both profiles open with fictive but revealing introductory exchanges, and both focus as much on conveying the distinctive characters of their subjects as on their public achievements. Prentice adds a closing gallery of renowned women aviators, from African-American Bessie Coleman to Jerrie Mock, who, like Earhart, was white.
Together with its companion, stimulating portraits of two colorful, driven historical figures. (timelines, glossaries, reading lists) (Biography. 10-12)Pub Date: Aug. 13, 2019
ISBN: 978-1-4197-3862-3
Page Count: 160
Publisher: Abrams
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In no particular order and using no set criteria for his selections, veteran sportscaster Berman pays tribute to an arbitrary gallery of baseball stars—all familiar names and, except for the Yankees’ Alex Rodriguez, retired from play for decades. Repeatedly taking the stance that statistics are just numbers but then reeling off batting averages, home-run totals, wins (for pitchers) and other data as evidence of greatness, he offers career highlights in a folksy narrative surrounded by photos, side comments and baseball-card–style notes in side boxes. Readers had best come to this with some prior knowledge, since he casually drops terms like “slugging percentage,” “dead ball era” and “barnstorming” without explanation and also presents a notably superficial picture of baseball’s history—placing the sport’s “first half-century” almost entirely in the 1900s, for instance, and condescendingly noting that Jackie Robinson’s skill led Branch Rickey to decide that he “was worthy of becoming the first black player to play in the majors.” The awesome feats of Ruth, Mantle, the Gibsons Bob and Josh, Hank Aaron, Ty Cobb and the rest are always worth a recap—but this one’s strictly minor league. (Nonfiction. 10-12)
Pub Date: Sept. 7, 2010
ISBN: 978-1-4022-3886-4
Page Count: 138
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 2, 2010
Kirkus Reviews Issue: Aug. 1, 2010
BOOK REVIEW
Unassuming of aspect but judicious and illuminating of content.
Modest production values add appeal to this carefully researched account of “a life of courage, passion, and adventure.”
Young readers already have a plethora of Tubman titles to choose from, including the author’s own 1992 Picture Book of Harriet Tubman for younger readers, illustrated by Samuel Byrd. This one, though, offers an unusually coherent picture of her character as well as her place within both the major events of her times and the work of the Underground Railroad. Laying stress on her religious faith and her selfless nature, Adler covers her career as Union spy and nurse as well as “conductor” in deep-enough detail to make mention of her later involvement in a money swindle and her ambiguous relationship with “niece” (daughter? kidnap victim?) Margaret Stewart. Sheaves of small, period black-and-white portrait photos or engravings, plus occasional atrocity reports or editorials clipped from African-American newspapers give the pages a staid look overall. This is underscored by a typeface that, intentionally or otherwise, sometimes looks battered or too-lightly inked. Tubman’s exploits and struggles make absorbing reading nonetheless.
Unassuming of aspect but judicious and illuminating of content. (endnotes, bibliography, personal note about the author’s family in the Civil War) (Biography. 10-12)Pub Date: Feb. 1, 2013
ISBN: 978-0-8234-2365-1
Page Count: 144
Publisher: Holiday House
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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