The interestingly prickly heroine's identity quest seems shoehorned into a romance with her caretaker friend.
Friends become lovers after years of friendzoning each other in this part–road trip, part-sitcom romance.
Bethany Lu is an artist in her 40s who’s beginning to make a name for herself. Nice guy Truman Erickson is an economics professor she’s known for decades. They live in the same New York City building, belonging to Bethany's wealthy money-manager father, and they're also tied together by memories of Cole, her dead brother, who was Truman's best friend. Her high school BFF Dawn is convinced Tru and Bethany, who goes by Lu, belong together. But Lu can't handle the idea of risking her safe friendship with him, treating him with bossy familiarity. Tru has his own guilt about Cole’s passing, which has made him wary of expressing his romantic feelings for Lu. So when Lu sees the news that Keanu Reeves, her celebrity crush, is getting married and decides to track him down to change his mind, Tru offers to help though he's exasperated with her obsession. On their trips around New York and to other parts of the country, they finally end up in bed, but they still manage to avoid even the most basic communication. As the novel is told in the first person from both characters' points of view, we know they both feel more than they show, but instead of making us root for them, these glimpses into their thoughts raise doubts about their potential for adult intimacy. Jackson aims for a lighthearted road-movie feel, but the pacing and tone are uneven, zipping from episodes of zaniness to immature tiffs and self-recrimination. The fanfic-based Reeves odyssey never recedes to the background, so a quirky device meant to create forced proximity between the lovers competes with the actual relationship.
The interestingly prickly heroine's identity quest seems shoehorned into a romance with her caretaker friend.Pub Date: Nov. 2, 2021
ISBN: 978-1-5387-0350-2
Page Count: 336
Publisher: Forever
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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