An ambitious, sometimes-illuminating tale set against political unrest in Burma.
A literary novel tells the story of a Burmese revolutionary trying to escape his enemies.
Burma, 1988. Famous student revolutionary Mothi Awegoke is on the run from intelligence agents for his role in the demonstrations against the country’s military junta. As he flees through the streets of Rangoon, he is almost run over by a white Mercedes, but the young woman inside it recognizes him and offers him a ride. After concealing him for a few days, the woman, Thuzar, arranges for Mothi to be smuggled out of the city on a ship. When he asks how he will find Thuzar again, once things settle down, she tells him it will be she who locates him: “You always think you can blend in with the crowd and you are so inconspicuous. But you blend in about as well as a true pigeon blood ruby in the mud. You positively glow. You’ll never sink in muck. Of that I am certain. You’ll always be famous and not difficult to find. You’ll see.” Her words prove prophetic, as Mothi’s fight to bring democracy to Burma takes him across the country into Thailand and, eventually, America. As he travels, seeing the lives of the people who help him along the way, he remembers the events of his youth that spurred him to political activism. Kaung’s (The Rohingya Genocide in Burma, 2017, etc.) prose is highly detailed, capturing life under Communist rule in startling images: “Inn Inn’s high-heeled slippers fell apart when it rained because they were reinforced with cardboard. She had bought three pairs because she thought it was a good price and she might not see them again. When the first pair dissolved, she wore the other slippers only during the dry season.” Mothi is a flawed, sometimes-infuriating character, and the story is likewise idiosyncratic in its structure and pacing. But the work is wonderfully specific, and its blend of history, politics, and episodes feels organic and somehow appropriate. It’s a novel that works through accumulation—it’s nearly 500 pages—but at the end of it, readers will feel they have an intimate understanding of this character and his country.
An ambitious, sometimes-illuminating tale set against political unrest in Burma.Pub Date: Feb. 10, 2019
ISBN: 978-1-4792-0388-8
Page Count: 484
Publisher: CreateSpace
Review Posted Online: Aug. 6, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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