A timely, compelling dissection of feminism's reliance on consumerism and useful suggestions for paths forward.
A clear analysis of the commodification of feminism from protest to brand.
As the former editor-in-chief of Jezebel and executive editor of Vogue, Beck is no stranger to the White feminism that permeates the modern cultural landscape. As influencers blithely attach Audre Lorde quotes to Instagram ads and White women are once again donning literal and metaphorical pink hats in “protest,” the author deftly retraces how we ended up here and highlights the many women this brand of feminism elides or ostracizes. Beck offers a lively history of the suffragettes and their ideological descendants, including the #GirlBoss and #MeToo movements. The author effectively brings out of the background many of the Black working women who enabled the success of the predominantly White and upper-class women at the center of these stories. “Instead of a protest vehicle,” she writes, “feminism became a brand….To ‘revolutionize’ your life through business once again merges the radicalism of feminism with the corporate, women-oppressing language of capitalism. If you threw a millennial-pink lens over this saying, you could put it on Pinterest.” Beck posits that the stark inequalities of so-called “women’s empowerment” are exacerbated even more unevenly in the Covid-19 era. The pandemic has engendered further demarcations along class and racial lines, between protected forms of labor and the economically vulnerable—e.g., nannies, housekeepers, and other caretakers. The author situates herself as a woman with considerable influence who chooses to amplify underappreciated workers in concrete ways rather than resting on the laurels of corporate “diversity.” With both vigor and rigor, Beck outlines a variety of fundamental problems with contemporary liberal feminism, which relies too much on brand endorsements and shallow empowerment. As she writes, “we can avoid becoming the next generation of white feminism by incorporating the points of view that this ideology does not account for.”
A timely, compelling dissection of feminism's reliance on consumerism and useful suggestions for paths forward.Pub Date: Jan. 5, 2021
ISBN: 978-1-982134-41-9
Page Count: 320
Publisher: Atria
Review Posted Online: Nov. 25, 2020
Kirkus Reviews Issue: Dec. 15, 2020
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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