An ambitiously structured road-trip novel stumbles a bit but gets a lot right.
Two small-town Kentucky high school girls run away together.
Bo, whose voice narrates the story going forward from the night they steal Agnes' sister's car, is a sober bisexual virgin who's widely considered the school slut. Most of her family members are drunk or in jail, her father ran off, and her mother's addicted to meth. Agnes, whose voice in alternate chapters narrates the story in flashback from the beginning of her friendship with Bo, is legally blind from birth and chafing at the restrictions her well-meaning but hardly adventurous family puts upon her. She also drinks beer and has had sex with Bo's cousin. The two narratives come at each other from a distance, then cross in a way that drains some of the tension out of the conflict: by the time readers understand the reason for the white girls' sudden departure, they also know that Bo has made promises she never intended to keep, which puts the entire escapade in an uncomfortable light. A pat ending feels tacked-on, but Bo and Agnes' unlikely friendship rings true and strong. Agnes can see lights and shadows, and she is competent at navigating familiar areas with the help of a cane; she can read with heavy magnifiers. Her blindness never feels stereotyped, nor does the sense of small-town suffocation.
An ambitiously structured road-trip novel stumbles a bit but gets a lot right. (Fiction. 14-18)Pub Date: June 28, 2016
ISBN: 978-0-545-83113-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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