A sparkling re-creation of Britain’s literary and political avant-garde.
Love blossoms and repartee flows for playwright George Bernard Shaw and his coterie of late-Victorian literati and socialists in this blithe historical novel.
Hall’s yarn fictionalizes the relationships of three notable real-life couples at the center of British intellectual life in the 1890s. One is the attraction of Shaw, a self-proclaimed “writing machine” who insists that his work is too important to permit any commitment to a woman, to Charlotte Payne-Townshend, a down-to-earth heiress who puts up with Shaw’s vanity but proves adept at puncturing it: “You regard yourself as a fountain of genius indifferently showering anyone who comes near,” she tells him. “That makes you a splendid natural wonder, but a decidedly poor friend.” Another is the initially unrequited passion of Sidney Webb, Shaw’s colleague at the socialist Fabian Society, for socialist reformer Beatrice Potter; the two are obvious soul mates, but Potter lacks romantic interest in Webb because of his unappealing looks. And there’s the psychodrama of playwright and legendary phrasemaker Oscar Wilde and his grasping boyfriend, Lord Alfred Douglas, which later leads to Wilde’s ruin. The characters float through London’s restaurants, theaters, salons, and lecture halls and then spend much of the book at the Fabians’ summer cottage in the country; there, they suffer the inedible vegetarian diet that Shaw imposes on everyone and engage in sophisticated conversation about politics, morality, and affairs of the heart. Hall’s novel unfolds through diaries and letters, but it has a polished, theatrical air that’s redolent of Shaw’s and Wilde’s comedies; his version of Shaw has an acerbic egotism worthy of Pygmalion’s Henry Higgins, while Wilde is an inexhaustible source of witticism that hides depths of reflection beneath a surface of frivolous irony: “I adore morality,” he asserts. “It gives my sins their significance.” The other characters also get their due as they go about the work of steady, gradual remediation of society’s ills, and, along the way, they quietly steal the show from the brilliant talkers. The result is an engrossing period piece with gorgeous wordplay and a touch of serious thinking to boot.
A sparkling re-creation of Britain’s literary and political avant-garde.Pub Date: July 26, 2021
ISBN: 978-1-09-837073-2
Page Count: 334
Publisher: Inky Books
Review Posted Online: Sept. 4, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Henry fans, rejoice: This is her best yet.
A recently dumped librarian finds herself fake dating her polar opposite.
When Daphne Vincent’s fiance, Peter, dumps her, she’s shocked—but the worst part is that he’s leaving her for his gorgeous best friend, Petra, the woman he’d always told Daphne not to worry about. Now Daphne has to move out of Peter’s home and restart her life in the small Michigan town where she’d moved to be with him. Salvation comes in the form of Miles Nowak, Petra’s ex—he has a tiny spare room in his apartment, and he understands what it’s like to wallow in heartbreak. Daphne feels lucky to have her dream job as a children’s librarian, but other than that, she feels adrift and friendless in Waning Bay—and then she and Miles get invitations to Peter and Petra’s wedding. In a momentary lapse of judgment, Daphne not only says she’ll attend the wedding, but tells Peter she’s dating Miles. It would be the perfect way to show Peter and Petra that they’ve moved on…if only it were true. In the grand tradition of fake-dating romances, Daphne and Miles pretend to be in love, getting to know each other while having various adventures and misadventures. Daphne quickly learns that although she’d dismissed Miles as a pothead with a lack of direction, he’s actually a good time—and a loyal friend. But Daphne knows she needs to get out of Waning Bay, so this fake relationship can’t lead anywhere…can it? Reliable bestseller Henry has written another surefire hit that manages to be dramatic, sexy, and fun. Miles and Daphne have chemistry that leaps off the page, and their will-they-or-won’t-they energy propels the story to its satisfying conclusion. Daphne is an immensely likable character, one whose past realistically informs her current relationships. The world of Waning Bay is charmingly quirky, and Daphne’s co-workers at the library are endearing. As always, Henry’s biggest strength is the sharp, often hilarious dialogue that makes the story a joy to read.
Henry fans, rejoice: This is her best yet.Pub Date: April 23, 2024
ISBN: 9780593441282
Page Count: 400
Publisher: Berkley
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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