Likely to appeal to the red hat crowd, but may annoy those with low tolerance for New Age blather.
Woman on the verge of self-realization hits the road, in the second of this ilk by DBR Media syndicated columnist Radish (The Elegant Gathering of White Snows, 2002).
Meg Fratano’s comfortable suburban world explodes when she glimpses her husband Bob in flagrante delicto with a woman sporting geranium-hued toenails. Appalled by her initial voyeuristic reaction, she seeks solace and bottomless martinis chez Elizabeth, the first of many wise women who will ferry Meg on her journey to feminist reawakening. Interspersed with Meg’s first-person narrative are flashbacks in which various spirit guides in the past—her spinster Aunt Marcia; a sadistic nun; pre-title IX girl athletes, an adulterous neighbor—strive to warn Meg off her womanly destiny of self-abnegation. Meg ignores their message points (though the reader can’t) and bucks the system only enough to become a sociology professor at the University of Chicago. Two great kids and a 25-year marriage later, Meg, pushing 50, fails to notice the signs of marital atrophy. How could she? Bob is so thinly portrayed that when he’s not romping with geranium-toes in the master bedroom, he seems like a perfectly nice guy. Lucky for Meg, Aunt Marcia, long dead, left her a peachy setup in Mexico, complete with dancing dogs, happy peasants, a kindly ranchero and his hottie son. Oh, and a foundation benefiting women to lend some gravitas. All Meg has to do is get in a rusting Jeep driven by Harrison Ford’s female twin and find that petal-strewn rock palace that’s been created just for her. Imagine, but for her husband’s twithood, she’d still be stewing in a vat of subdivision normalcy. Sure, no one beats Marilyn French and Marge Piercy at this genre, but at least Radish’s stock characters know how to have a good time on their way to matriarchal Nirvana.
Likely to appeal to the red hat crowd, but may annoy those with low tolerance for New Age blather.Pub Date: Dec. 28, 2004
ISBN: 0-553-38263-2
Page Count: 328
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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