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THE BIOLOGY OF THOUGHT

A NEURONAL MECHANISM IN THE GENERATION OF THOUGHT—A NEW MOLECULAR MODEL

An engaging, in-depth, and accessible book on brain function.

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An exhaustive look at the process behind the formation of thoughts and memories.

Debut author Dharani, a medical doctor, expounds on his “molecular-grid model” of thought generation in this work. He begins by explaining the anatomy of the human brain and nervous system before zeroing in on the composition and electrochemical functions of neurons and dendrites. Next, he describes how particular brain pathways are involved in the formation of various types of memory, including short-term and long-term memory as well as episodic and semantic memory (the latter involving accumulated, general knowledge). The fundamental unit of ideas and memories, he says, is a “primary thought,” which is “formed from each and every sensory input.” (Dharani uses the perception of the color blue as a particularly effective recurring example.) The ability to form primary thoughts, he says, appears to be inherited or possibly innate; they arise in response to everyday stimuli and sensations, he asserts, and they combine to form more complex ideas. He argues that such thoughts are generated in the “molecular grid” in the dendritic membrane, specifically, rather than in the whole neuron, and he details the protein interactions by which it works. Other sections explore the evolution of the mind and the differences between neurons and man-made computers. This well-structured book uses bullet points and frequent diagrams to ensure that its copious information is always reader-friendly. It also italicizes and boldfaces key words and phrases, which correspond with helpful entries in the glossary and index. One particular chapter, which goes deeper into the formation of memory traces and dendritic pleats, may be the most interesting section for general readers, as it discusses mental pathways that exist in utero and in newborns—which, he says, may explain artistic prodigies, such as Wolfgang Amadeus Mozart. Only one chapter, which discusses the metaphysics of thought, seems slightly out of place, as its philosophical theme contrasts with the remainder’s physiological focus.

An engaging, in-depth, and accessible book on brain function.

Pub Date: Sept. 19, 2014

ISBN: 978-0-12-800900-0

Page Count: 248

Publisher: Academic Press

Review Posted Online: Jan. 11, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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