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MOSTLY DEAD THINGS

An ambitious debut writer with extraordinary promise, Arnett brings all of Florida's strangeness to life through the lens of...

A young woman struggles to take the reins of her father's failing taxidermy shop after his suicide.

Jessa-Lynn Morton only feels comfortable when she's scraping out the guts of a dead baby raccoon with delicate precision or drinking to forget the girl who got away. When her beloved father unexpectedly commits suicide, Jessa must carry the weight of her broken family on her own. "My father molded me to assist him; to be the one who helped shoulder the load," Jessa recalls. In the wake of his death, it doesn't take long before everything unravels. Jessa's mother starts placing stuffed and mounted animals in flagrante delicto in the shop window as well as "a parade of animals decked out in lingerie and posed in front of boudoir mirrors, alligator skulls with panties stuffed in their open mouths and dangling from their teeth." Meanwhile, Jessa's brother, Milo, sleeps through shifts at the local car dealership; Brynn, Jessa's first love and Milo's wife, is nowhere to be found; and the couple's children suffer from inattention and abandonment. Things begin to shift when Lucinda, an ambitious gallery owner, takes note of the strange, sexual displays in the taxidermy shop window, forcing Jessa to confront her childish anger about her mother's artwork as well as her chronic fear of intimacy with other women. Arnett's debut switchbacks through time, slowly skinning the pelt of Jessa's formative obsession with Brynn and her tragic relationship with her father, forged over preserving animals scraped off deserted Central Florida highways. Arnett writes in clear, perceptive prose, tracing Jessa's struggles growing up queer in the Deep South, yet the pacing and climax of this deeply psychological novel remain off-kilter. Jessa is stuck playing the eternal, repressed "straight" man to her creator's wry sense of humor—with mixed results. For all of Arnett's insights, the outsize mother-daughter conflict at the heart of the book feels as if a bear skin were draped over the skeleton of a much smaller mammal. Still, there's much to admire in Arnett's vision of Florida as a creative swamp of well-meaning misfits and in the sweet hopefulness of finding your way back to yourself through family.

An ambitious debut writer with extraordinary promise, Arnett brings all of Florida's strangeness to life through the lens of a family snowed under with grief.

Pub Date: June 4, 2019

ISBN: 978-1-947793-30-9

Page Count: 366

Publisher: Tin House

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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