A celebration of Black family life that will make you laugh and cry in equal measure.
A set of linked stories map the lives of a Black family in Louisville, Kentucky, tracing the generational effects of addiction, poverty, and mental illness.
At the heart of the book is the often fraught relationship between mothers and daughters—always complicated but made especially so by the unpredictable and deceitful behaviors typical of those suffering from addiction. Gentry maps the ways an unstable mother can unmoor her daughter, and how a girl’s innocence is dissolved by the imperative to survive and protect her vulnerable mother: “You are starting to realize that you have no solution for your mother’s depression. There is nothing you can say. Nothing you can do. You will never save her.” In “A Satisfying Meal,” the sharp contrast between two families at Thanksgiving provides an insight into not only the wealth disparity of the Black community, but also into various political divides. At the Thompson family’s dinner, everyone is seated and served formally at the table; JayLynn—who's attending for the first time as Nigel Thompson’s girlfriend—is subtly interrogated about her intellectual pursuits at college; and the use of the N-word represents an egregious blasphemy. Meanwhile, at JayLynn’s aunt’s house, where she and Nigel go afterward, family members eat without ceremony, use the N-word freely, and joke around. The absence of JayLynn’s mother and the eventual departure of her aunts to buy drugs draws attention to the relentless mundanity of addiction and depression—and the ways these illnesses impact families. In “A Good Education,” two young men who grew up together reunite, but now one sells the drugs the other's mother is addicted to, seemingly without making the connection: “Your moms is like my moms...I mean...you think she’s using?” In “A New World,” JayLynn’s 16-year-old cousin, Zaria, goes into labor with the baby she'd hoped would deter her mother, Dee, from feeding her addiction, only to have Dee leave the hospital before the baby arrives, going in search of the next high. Gentry steadfastly refuses to reduce her characters to their misery, imbuing them instead with wit, loyalty, and humor.
A celebration of Black family life that will make you laugh and cry in equal measure.Pub Date: Oct. 1, 2023
ISBN: 9781952271984
Page Count: 288
Publisher: West Virginia Univ. Press
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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