A celebration of Black family life that will make you laugh and cry in equal measure.
A set of linked stories map the lives of a Black family in Louisville, Kentucky, tracing the generational effects of addiction, poverty, and mental illness.
At the heart of the book is the often fraught relationship between mothers and daughters—always complicated but made especially so by the unpredictable and deceitful behaviors typical of those suffering from addiction. Gentry maps the ways an unstable mother can unmoor her daughter, and how a girl’s innocence is dissolved by the imperative to survive and protect her vulnerable mother: “You are starting to realize that you have no solution for your mother’s depression. There is nothing you can say. Nothing you can do. You will never save her.” In “A Satisfying Meal,” the sharp contrast between two families at Thanksgiving provides an insight into not only the wealth disparity of the Black community, but also into various political divides. At the Thompson family’s dinner, everyone is seated and served formally at the table; JayLynn—who's attending for the first time as Nigel Thompson’s girlfriend—is subtly interrogated about her intellectual pursuits at college; and the use of the N-word represents an egregious blasphemy. Meanwhile, at JayLynn’s aunt’s house, where she and Nigel go afterward, family members eat without ceremony, use the N-word freely, and joke around. The absence of JayLynn’s mother and the eventual departure of her aunts to buy drugs draws attention to the relentless mundanity of addiction and depression—and the ways these illnesses impact families. In “A Good Education,” two young men who grew up together reunite, but now one sells the drugs the other's mother is addicted to, seemingly without making the connection: “Your moms is like my moms...I mean...you think she’s using?” In “A New World,” JayLynn’s 16-year-old cousin, Zaria, goes into labor with the baby she'd hoped would deter her mother, Dee, from feeding her addiction, only to have Dee leave the hospital before the baby arrives, going in search of the next high. Gentry steadfastly refuses to reduce her characters to their misery, imbuing them instead with wit, loyalty, and humor.
A celebration of Black family life that will make you laugh and cry in equal measure.Pub Date: Oct. 1, 2023
ISBN: 9781952271984
Page Count: 288
Publisher: West Virginia Univ. Press
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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