Like life, not all the issues raised in this first novel are resolved.
In Young’s lyrical and atmospheric debut, two damaged outsiders, estranged from their families and cultures, struggle to discover where they really belong.
Fleeing Seattle after her husband leaves her for her younger sister, Mexican American anthropologist Claudia, distraught and humiliated, heads to the Makah reservation at Neah Bay, “an old whaling village on the northwest tip of the lower 48.” She hopes to bury herself in work, interviewing Maggie, an elderly woman she had befriended the previous summer: “Maggie would give her what she wanted, would tell her things about spirit animals and songs that she wasn’t supposed to reveal to anyone outside her family.” But standing in her way is Maggie’s son, Peter, who has returned home to care for his mother, newly diagnosed with dementia. Initially suspicious of Claudia, he realizes he can use her to tap into Maggie’s failing memories about his father’s murder. Likewise, by helping Peter sort through a trailer’s worth of possessions Maggie has been saving for her son, Claudia can mitigate her guilt that she “was hustling a hoarder.” As the two warily collaborate, their simmering mutual attraction explodes into violent passion, although Claudia fights to reclaim her anthropological distance. When she realizes that Maggie’s hoard is not junk but gifts saved for a potlatch, or ceremonial feast, to be thrown for her son, Claudia breaks academic protocol by offering to assist with the invitations. Peter, still haunted by his father’s death, resists reconciliation. Alternating between Claudia’s and Peter’s perspectives, the author creates moving portraits of two lonely, prickly people seeking to find their places in the world after so much pain and loss. Her lush, dense prose vividly captures the beauty of the Olympic Peninsula coast, but stylistic tics such as long, convoluted sentences slow the narrative, and abrupt transitions between the past and present sometimes confuse.
Like life, not all the issues raised in this first novel are resolved.Pub Date: April 14, 2020
ISBN: 978-1-59709-892-2
Page Count: 272
Publisher: Red Hen Press
Review Posted Online: Jan. 26, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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