A new game begins after the events of Find Him Where You Left Him Dead (2023).
The empress, who’s not so dead after all, starts a new game with her estranged husband, the emperor: She can possess Ian (whose friends rescued him in the first volume) for one night before sharing his body kills him. Unless she can gather the three pieces of the powerful but broken tomoe and remake it, she won’t be able to “recreate her empress form.” But the pieces can only be gathered by willing mortals. The villainous empress uses Owen’s romantic feelings for Ian to gain his assistance. Meanwhile, Maddy’s determined to rescue half-human Dax from Meido—where he learns the truth about his heritage—and to do so, she also ends up back in the game. Emerson, the final member of the friend group, is along for the ride despite her insecurities about being the couples’ fifth wheel (she has a self-acceptance storyline regarding her asexuality, which is an effective foil to the romantic storylines). This time, the game takes them to Jigoku in a creative take on the Japanese Buddhist hell. The structure and plotting of the story results in a fair amount of repetition, but the horrific threats and the settings, deeply rooted in Japanese mythology, are strengths. Although the ending feels somewhat predictable, it’s a reward for readers who are attached to the multiracial cast.
Repetitive elements aside, fans of the characters and vibe will find much to enjoy.
(Fantasy. 12-18)