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JESS, CHUNK, AND THE ROAD TRIP TO INFINITY

Well-meaning and timely but not as strong as Meredith Russo’s If I Was Your Girl and Brie Spangler’s Beast (both 2016)

A trans girl artist goes on a road trip with her fat best friend and publicly dresses as her true self for the first time.

Jess (Jeremy to Jess' dad) and Christophe (Chunk to Jess) are on their way to the wedding of Jess' estranged dad. Thanks to her father’s transphobia, Jess has been on hormones for only the seven months since she turned 18, and she's worried about passing. As they drive from liberal San Jose through places about which Jess has only fearful stereotypes, she seesaws from euphoria at the freedom of living openly to utter terror. Does she have visible stubble? Will she be murdered in a gas-station toilet? Jess realizes slowly that there are trans and trans-friendly people all over the U.S. She realizes even more slowly that—regardless of her own gender—she can behave in some pretty rotten ways to her loved ones. Jess' personal growth comes slowly, and she treats her overwhelmingly considerate best friend in fatphobic ways he clearly loathes. At the moment of truth an out-of-the-blue epiphany provides a happy ending. Written by the mother of a trans woman, the narrative appears at times to be more a vehicle for communicating the essential humanity of trans people than a fully developed story; both Jess and Christophe appear to be white by default.

Well-meaning and timely but not as strong as Meredith Russo’s If I Was Your Girl and Brie Spangler’s Beast (both 2016) . (Fiction. 12-16)

Pub Date: Nov. 8, 2016

ISBN: 978-0-374-38006-9

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 25, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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LEGENDARY

From the Caraval series , Vol. 2

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.

Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.

Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)

Pub Date: May 29, 2018

ISBN: 978-1-250-09531-2

Page Count: 464

Publisher: Flatiron Books

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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