A gripping tale not for the squeamish, the shy or the nervous.
The third case for Sweden’s Criminal Investigation Department (Silenced, 2013, etc.) presents a riveting series of crimes whose investigators are deeply embroiled in them.
Two years after she went missing, Rebecca Trolle, or at least most of her, has finally turned up in a pair of plastic bags buried in a shallow grave. The discovery of her remains immediately sets off all sorts of alarm bells. Why were photos of her as “Miss Miracle” posted on a porn site two months after her death? How much progress had she made on her unlikely dissertation topic, an attempt to prove children’s author Thea Aldrin innocent of the murder of her husband 30 years ago, a murder for which Thea already served a prison sentence? Did Thea really write Memory and Asteroid, the violent sexual fantasies whose 1976 publications made her both a best-selling novelist and a pariah? Who’s been sending Thea—long a resident in the Mångården care home and mute since 1981—flowers every week with the terse note “Thanks”? Which member of her intimate film club—financier Morgan Axberger, solicitor Elias Hjort or literature professor Spencer Lagergren—shot the footage showing a young woman being hacked to death? And how are these questions connected to the recent sexual allegations Lagergren’s student Tova Eriksson has lodged against him or to his hope of a peaceful life with his lover, police consultant Fredrika Bergman, and their baby daughter? Ohlsson frames this painful case—“a drama that was still claiming its victims 30 years on”—with a series of police interrogations of Fredrika and DI Peder Rydh that ramp up the anxiety even further.
A gripping tale not for the squeamish, the shy or the nervous.Pub Date: March 4, 2014
ISBN: 978-1-4767-3400-2
Page Count: 416
Publisher: Emily Bestler/Atria
Review Posted Online: Feb. 3, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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