The buffalo herd diminishes, and a prairie tribe goes hungry. A young orphan boy cared for by the tribe decides to find the Great Chief in the Sky in hopes that He might restore the buffalo to the grasslands. Guided by the morning wind, the boy travels far and wide. One morning, awakening to thunder, the boy opens his eyes and sees the chief, resplendent in buckskin and eagle feathers. The chief rewards the boy's courage with a gift: the first horse. At first it is just a raw mud figure, but a council of all living things is called, each to give the raw horse something special—the pine tree gives it a tail, hooves come from the turtle, swiftness from the hawk. As the boy returns to his tribe, the one horse slowly turns into a herd, which gives the tribe all the mobility it needs to find the buffalo. A gentle creation story from Blackfoot legend, this tale is particularly well grounded in its magic, and Rodanas's (The Dragonfly's Tale, 1992) illustrations have an appropriately soft and dreamy quality. It's not easy to hit the right note of both substance and etherealness when myth-making, but Rodanas comes comfortably close. (Folklore/Picture book. 4-8)
Pub Date: Oct. 1, 1994
ISBN: 0-316-75358-0
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1994
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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