Engaging art and attention to cadence and rhythm should make for a read-aloud winner.
A dog and child walk around their neighborhood.
An adorable little white pup with black spots and a brownish patch over its eye nearly springs off the cover and into readers’ laps, setting the tone for the story within. The title page showcases the eager canine, leash in mouth, while the copyright and dedication spread feature the sprightly pooch already leaping along the sidewalk, its child trailing behind. Richmond’s ink, watercolor, and digital art creates a homey city with soft-colored brownstones, storefronts, and people of varying shades. The first page of text echoes the title, declaring, “a hop is up,” while the illustration shows the little white child holding the leash as the excitable canine hops on a gate. Observant readers will spy the reason for the dog’s hop, which becomes readily apparent in the next spread. Bicyclists, dancers, and others offer examples of direction, movement, and motion. Richmond highlights exemplifying characters with bold colors, favoring a more muted palette for background people and places. The charming, minimalist ball of furry energy is adorable in both form and exuberance (indeed, those paws rarely touch the ground!). A child of color protagonist would have been nice, but there are plenty of diverse skin tones in the supporting cast.
Engaging art and attention to cadence and rhythm should make for a read-aloud winner. (Picture book. 2-4)Pub Date: Sept. 13, 2016
ISBN: 978-1-61963-390-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pure unmitigated sleepy-time pleasure.
Klassen’s inimitable blend of cozy and curious is on flagrant display in this tale of personalized forest management.
“This is your sun. It is coming up for you.” Klassen allows the youngest of readers to put together a beguiling woodland scene. Each object in the forest is bedecked with the deadpan eyes the artist is known for. Like other titles in the series, this one presents typical items (trees, rocks, a stream), but it distinguishes itself by including a solitary forest ghost who “is nice. He only comes out at night.” It’s a tiny yet whimsical detail that imbues the tale with an enchanting sense of unpredictability. When day shifts to night, readers are assured that “this is your forest. Now it is done.” The sun sinks, and they’re treated to a surreal scene as all the items appear to doze off: “Now everyone is closing their eyes.” Happily, the ghost has a brief solo moment on the very edge of the forest on the final page. Readers will experience both the comfort of putting a community of anthropomorphized objects to sleep and the power of creating it in the first place.
Pure unmitigated sleepy-time pleasure. (Board book. 2-4)Pub Date: Feb. 4, 2025
ISBN: 9781536230833
Page Count: 24
Publisher: Candlewick
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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