This thriller delivers on all levels—teen readers may very well devour this novel in one sitting.
Carlisle’s YA thriller revolves around a series of gruesome murders that could be attributed to a mythical creature.
Seventeen-year-old Eliza Loft’s high-school experience in Whitehall—a “Podunk” town in the Adirondack Mountain region of New York—isn’t exactly idyllic. After her mother died of cancer when Eliza was 12 years old, the teen rebelled, and on a drunken night with her two best friends up in the woods, she did some regrettable things. In an inebriated haze, she also witnessed the brutal murder of an older girl from her school district. After vowing with her friends to never share the events of that night with anyone, four years pass, and Eliza becomes estranged from the two other girls, who become popular while she ends up a loner. When each of the three girls finds a photo of the dead girl with a message (“I know what you did”) in their lockers, panic ensues—no one else could possibly know. When one of Eliza’s (now former) best friends turns up dead shortly thereafter, Eliza not only becomes a suspect but also the killer’s next potential target. With her new friend Simon—a hardcore bigfoot enthusiast—accompanying her, she attempts to discover who, or what, is behind the murders. Carlisle’s story is a real page-turner. While the bigfoot element is certainly intriguing, it’s the author’s insightful depiction of the teenage experience—battling self-doubt, dealing with bullying and crushes, finding one’s place in the world—that makes Eliza’s story so emotionally resonant and compelling. Her grief over her mother’s death is particularly powerful: “But death doesn’t care about what you need. It comes without warning, takes everything from you until all you’re left with are a bunch of broken pieces and no picture to guide you on how to fit them back together.”
This thriller delivers on all levels—teen readers may very well devour this novel in one sitting.Pub Date: Jan. 15, 2025
ISBN: 9798330344949
Page Count: 340
Publisher: Self
Review Posted Online: Oct. 9, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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