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THE HUNGRY ONE

A disturbing allegory illustrated with haunting surreal portraits—photos of torsos with expressive human hands, topped with melancholy mixed-media heads. The succinct, neatly translated verse describes ``Rum Tum Tum,'' an awkward, sad-eyed man who eats the miller's garden and then ``in the forest, dark and grim,/Devoured the trees that sheltered him''—just the beginning of his voracious progression. Denied the miller's daughter as wife, he warns, ``I grew without a mother's love...That's why my eating's never done...'' After a seven-year absence, he returns to devour the miller and his daughter and then, after he's jailed, his chains and the prison warders. As an incarnation and explanation of evil, this is hardly obscure, though young people may find it weird and even—in a black, European fashion—humorous. Offbeat, but the art and verse are compelling, while the theme may well provoke discussion. (Picture book. 9-14)

Pub Date: March 1, 1993

ISBN: 1-55858-121-9

Page Count: 28

Publisher: NorthSouth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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90 MILES TO HAVANA

After Castro’s takeover, nine-year-old Julian and his older brothers are sent away by their fearful parents via “Operation Pedro Pan” to a camp in Miami for Cuban-exile children. Here he discovers that a ruthless bully has essentially been put in charge. Julian is quicker-witted than his brothers or anyone else ever imagined, though, and with his inherent smarts, developing maturity and the help of child and adult friends, he learns to navigate the dynamics of the camp and surroundings and grows from the former baby of the family to independence and self-confidence. A daring rescue mission at the end of the novel will have readers rooting for Julian even as it opens his family’s eyes to his courage and resourcefulness. This autobiographical novel is a well-meaning, fast-paced and often exciting read, though at times the writing feels choppy. It will introduce readers to a not-so-distant period whose echoes are still felt today and inspire admiration for young people who had to be brave despite frightening and lonely odds. (Historical fiction. 9-12)

 

Pub Date: Aug. 3, 2010

ISBN: 978-1-59643-168-3

Page Count: 256

Publisher: Roaring Brook Press

Review Posted Online: June 14, 2010

Kirkus Reviews Issue: July 1, 2010

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