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SERPENT ON THE ROCK

An absorbing and definitive take on the criminally unscrupulous deceptions committed by Prudential Securities in its aggressive marketing of chancy limited partnerships during the 1980s. Drawing on a wealth of authoritative sources, New York Times correspondent Eichenwald offers a tellingly detailed account of the long-lived scandal and its enormous toll. In roughly chronological fashion, he recounts how Pru, an insurance colossus (that likens its integrity and stability to the Rock of Gibraltar), almost offhandedly acquired Bache, a Wall Street also-ran, in 1981. The cash-strapped brokerage house nonetheless had a lucrative niche in oil/gas, real estate, and other kinds of limited partnerships that its registered reps pushed on all comers as high-yield investments with tax advantages. At the upper echelons of the corporate hierarchy, it was an open secret that the partnerships Pru-Bache was assiduously packaging and peddling in billion-dollar lots were extremely risky propositions. Thanks to flashy promotional material that minimized or ignored egregious LP hazards (including a lack of secondary markets), the RRs were duped along with their clients. When returns missed forecast marks or disappeared altogether, though, Pru and its partnership sponsors stonewalled queries and complaints, whether from employees or customers. The author makes a particularly good job of recapping how underfunded but determined state regulators helped the SEC bring Pru to book and ensure equitable recoveries for bilked investors. And unlike Kathleen Sharp in her account (In Good Faith, p. 765), Eichenwald leaves precious little doubt that the venality was systemic, not attributable to a few corrupt individuals. And he provides ample evidence of the enduring swindle's vast human costs on both the sell and buy sides. A masterful reconstruction of a substantive financial scandal, one that bears comparison with such landmark exposÇs as Barbarians at the Gate, Den of Thieves, and The Predators' Ball. (8 pages photos, not seen) ($100,000 ad/promo; author tour)

Pub Date: Aug. 2, 1995

ISBN: 0-88730-720-5

Page Count: 496

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1995

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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