A joyful ode to the manifold pleasures of musical expression.
This jazzy primer guides readers in noticing surrounding sounds—and feeling the ones that bubble up from within.
For their third collaboration—following How To Read a Book (2019) and How To Write a Poem (2023)—Alexander and Sweet are joined by composer, performer, and author Preston (Piscataway). Here, they focus on creating music. The narrative poem begins by calling for an attentive spirit: “Hush. / Now, / turn up your ears / and listen / to the / concert / happening / all around / you.” The delicious language refers to a bird’s “playful trill” and the “warble of / belching / frogs.” Alliteration, rhyme, rhythm, and humor flow through the directives on deep breathing and transforming responses to nature into toe tapping and finger snapping. Ultimately, readers—and the chorus of diverse characters depicted—are instructed to “wail / out each / wondrous / word.” These gifted creators bring to life a potentially abstract concept in ways that will appeal to children who instinctively dance, leap, and spin to song. Sweet’s note on choosing “op” (optical) art to convey sound is fascinating. Her hypnotic optical illusions weave through and around people in motion, buzzing bees, lively landscapes, and snippets of sheet music—all in glorious collages, punctuated with her signature pink accents. Hand lettering throughout employs different colors, sizes, and saturation to convey volume and pacing.
A joyful ode to the manifold pleasures of musical expression. (author’s note from Preston) (Picture book. 4-7)Pub Date: Oct. 1, 2024
ISBN: 9780063060937
Page Count: 32
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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