LAST SEEN IN LAPAZ

Emma Djan, of the Sowah Private Investigators Agency in the Ghanaian capital of Accra, goes looking for a missing girl and finds a whole lot more.

Retired Nigerian ambassador Nnamdi Ojukwu comes to see his old friend Yemo Sowah because his 18-year-old daughter has disappeared from his house. The former diplomat isn’t sure whether he’s more scared that Ngozi has been kidnapped or that she’s run off with her boyfriend, unsuitable hotel manager Femi Adebanjo, who’s 10 years older. As it happens, both theories hit on part of the truth. Soon after Femi is discovered shot in the head, Quartey launches an extended series of flashbacks that show Femi forming a partnership with his old school friend Cliffy as “travel agents” who talk people into emigrating from Ghana to countries that promise greater opportunities, lying to them about their travel arrangements and the accommodations they can expect at their destinations, and charging them top dollar. Things get worse when Femi breaks things off with Cliffy and throws in his lot with hotelier Awuni Prince Awuni and his partner Janet Glover, who runs the Alligator, the headquarters for a number of sex workers who haven’t chosen this line of work of their own free will. More deaths will follow, and it seems less and less likely that Emma and DI Boateng, of the Ghana Police Service, will find Ngozi alive. As Emma herself eventually acknowledges, she doesn’t distinguish herself as a detective this time around; the tale’s intricately layered structure both generates its mystery and provokes its solution.

Quartey once again finds piercing social pain beneath what looks like a routine case.