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HOSPITAL!

A MEDICAL SATIRE OF UNHEALTHY PROPORTIONS

A witty, satirical spoof of a cynical physician’s transformation.

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A curmudgeonly doctor struggles to keep his job in this farcical novel.

Family physician Jones takes a lighthearted, satirical approach to health care through comical characterization by way of egomaniacal Dr. Camus, the most hated figure at Code Blue Memorial Hospital of Her Motherly Excellence. With a cantankerous demeanor and a diminutive stature, the notorious “scabrous predator” gives new meaning to career burnout. He’s become the hospital’s worst nightmare, slinging callous insults at staff and patients alike while misdiagnosing anyone in his care with rare maladies he finds on Wikipedia. Not the product of childhood neglect or an unfortunate addiction, Camus is “simply a jerk” who “kept showing up after his residency ended.” Obnoxious to a fault, he has alienated nearly all of the hospital staff and couldn’t care less about the consequences, calling his patients “relentless and annoying.” This behavior doesn’t go unnoticed by the hospital’s administration, particularly the medical center’s CEO, whose hands are tied with budgetary constraints restricting him from terminating Camus. Efforts to curb the doctor’s toxic and abusive bedside manner amount to assigning a “Censor,” who shadows his every move, bleeping out spewed expletives. But could a one-month work suspension and a mandatory intensive session with infamous behavioral hypnotist the Amazing Ralph be Camus’ saving grace? While Jones has conjured a premise that’s certainly ridiculous and preposterous, the book is hilarious, with scene after scene of outrageousness (at one point, an exasperated Camus even ejects a wheelchair-bound patient into the flower garden on the side of the hospital). Recounted by a humble, omnipresent narrator with a wry sense of humor, the story revolves around Camus as attempts to dilute his nastiness only amount to a whole new set of problems. Quite a departure from the author’s debut memoir, Fallible (2020), about the struggle to navigate mental illness as a clinician, this novel is compact, effortlessly amusing, and seemingly written with readers’ funny bones in mind. This story demonstrates Jones’ wild versatility as an author and will likely attract the readers who enjoyed his candid memoir.

A witty, satirical spoof of a cynical physician’s transformation.

Pub Date: Dec. 22, 2022

ISBN: 978-1685130909

Page Count: 128

Publisher: Black Rose Writing

Review Posted Online: Nov. 4, 2022

Kirkus Reviews Issue: Dec. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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