No fireworks here, but everyday struggles rendered into a deeply poignant story.
A young woman spends 10 months working as a nanny for a wealthy Tribeca family in Wu’s quietly impressive coming-into-adulthood novel.
While working as a waitress in Brooklyn, 24-year-old Willa Chen jumps at an offer to become a nanny for Nathalie and Gabe Adrien’s 9-year-old daughter, Bijou. The easy hours and live-in suite are appealing, but Willa is mostly thrilled at the prospect of being part of an average American family. Willa's parents divorced when she was small; her father, who'd emigrated from China at age 10, and her working-class White American mother both began new families, leaving Willa feeling extraneous. She's also experienced multiple instances of racism, whether mean-spirited or unintentional, and she's trained herself to stay emotionally reserved and inconspicuous. The Adriens, especially Nathalie, seem to embody everything Willa’s own childhood lacked, while precocious Bijou is given the parental attention Willa craved. Willa tries to embed herself into the Adriens’ world, finding their castoffs “irresistible,” catering to Bijou’s every need, considering herself and Bijou “like sisters, maybe,” even developing an ambivalent flirtation with Nathalie’s younger brother. Observing the Adrien household also prompts Willa to recall events from her own childhood with new clarity. Wu’s debut eschews many of the tropes of current fiction, particularly nanny fiction. Do not expect sexual or physical abuse, quirky characters, weird secrets, or biting tweet-ready wit; do not expect shocking plot twists or an exposé of evil parents or bosses. The Adriens are privileged New York liberals, imperfect but far from despicable; Willa’s parents made big mistakes but they loved her. And Bijou is a heartbreakingly complex child with anxieties that adults, including Willa, don’t always notice. Ultimately, expect subtle surprises as Willa’s relationships evolve in a satisfying accumulation of carefully drawn small moments that build toward her understanding, even acceptance, of both an imperfect world and herself.
No fireworks here, but everyday struggles rendered into a deeply poignant story.Pub Date: Nov. 2, 2021
ISBN: 978-1-951142-73-5
Page Count: 280
Publisher: Tin House
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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