In this sharply written, emotionally resonant rendering, the author makes crystal-clear the heartbreaking realities of...
An empathetic report on the longest wrongful incarceration in the history of the United States to conclude with exoneration.
In his debut book, an expansion of his popular Cleveland Scene feature, Washington Post journalist Swenson weaves together the dramatic details of a 1975 incident in Cleveland in which three black men were falsely accused and convicted of the murder of Harry Franks, a white man, outside of a convenience store. The author begins with a sweeping history of Cleveland, especially the 1960s and ’70s, when increasing racial tensions and unrest haunted the region alongside rampant discrimination, urban infrastructural decay, and the crack epidemic that ushered in and decimated the city in the 1980s. Swenson introduces us to Kwame Ajamu, Wiley Bridgeman, and Rickey Jackson, boys for whom Cleveland had become their playground and true home. The author’s portraits of the boys are carefully and lucidly drawn, as he captures their maturation into young men who were in the wrong place when Franks was fatally shot. At their trial, the prime witness, a 12-year-old neighborhood boy named Edward Vernon, testified against them, and all were charged with the murder despite a glaring absence of physical evidentiary support. Swenson also delivers a vital portrait of Vernon’s adult life, plagued by drug abuse and unhappiness, and of his shocking retraction just as Bridgeman was paroled after 27 years in prison. Compelling and heartfelt, the author’s cinematic chronicle moves swiftly through these events, and embedded in this tale of gross criminal injustice is the frustrating history and scarred legacy of Cleveland, a city harboring a “deepening woe” and mired in political corruption, racial conflict, and unbridled crime. Through in-person interviews and extensive, diligent research, Swenson brings this travesty of justice into impressive, necessary focus.
In this sharply written, emotionally resonant rendering, the author makes crystal-clear the heartbreaking realities of wrongful imprisonment, race, and the many flaws of the American criminal justice system.Pub Date: Feb. 12, 2019
ISBN: 978-1-250-12023-6
Page Count: 304
Publisher: Picador
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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