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MIDNIGHT LOOKS GOOD ON YOU

A COLLECTION OF HORROR STORIES

Taut, absorbing tales filled with moody backdrops and creepy turns.

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Characters endure a grim world of serial killers and monsters in this collection of dark stories.

This volume’s title tale follows The Killer, an assassin for hire ready for retirement. He takes a job in Moscow for triple his normal pay, so it’s most certainly a near-impossible hit. But when his client finally provides details, The Killer has trouble believing the gig is legit, as the target may not even be human. Other stories in this horror collection likewise feature an unsavory protagonist, from a serial killer to a child predator and a washed-up, misogynistic Hollywood actor. Many of these somber tales have even bleaker twists. In “No Refund Policy,” for example, William Hill, an apparent religious leader, seems dead set on convincing his followers that his 9-year-old daughter, Violet, is a messiah. It’s an ostensibly humorous notion that quickly becomes unsettling. More than half of the 20 stories here, like “Policy,” are flash fiction. Jones’ concise writing shows how the short form can shine; in only a few pages, he drops well-defined characters into unnerving and sometimes deadly circumstances. One tale reveals how people in a city block respond knowing an apocalyptic bomb is on the way. Another showcases a vicious ongoing war between two sides separated for a surprising and loathsome reason. The author stays grounded in horror despite other genres cropping up; instances of supernatural beings and androids never really take the spotlight. The focus remains on the human element, which proves more monstrous and heartless than anything otherworldly or artificial.

Jones incorporates serious issues into his stories. Most notably, there’s a recurring theme of suicide or characters seemingly prepared to die. One of the more disturbing tales, “When It’s Dark Out,” starts with Crispin Charles meeting 40-something Catherine Keeper in a seedy motel. He has brought a duffel bag that a serial killer would envy, but Catherine is fully aware of it and is still there voluntarily. The author often plays with conventions, especially with killers’ motives for murder (more specific than mere psychopathy). But the collection’s best tales are markedly unconventional. In “A Children’s Story,” the new kid at 10-year-old Phillip Driver’s school is shockingly old. In fact, he has the “pruney” skin and rotten teeth of an aged man, but no one other than Phillip notices this. In a similar vein, “The Night Sky People” concerns the unusual friendship between young adult Eva and much older Kahlo, a man perpetually donning a catsuit. One night, their relationship takes a startling change of direction. The author’s prose teems with active and violent imagery, even in descriptions of a setting: “When she swiveled around, everything about her bedroom felt alien. The edge of the nightstand stuck out like a serrated silver knife in the utensil drawer, eager to pierce flesh. And the ceiling fan in her room hung too low, nearly at neck-chopping level.” Readers will likely devour Jones’ compact book in a single session, but his pithy storytelling and indelible casts will surely linger for some time.

Taut, absorbing tales filled with moody backdrops and creepy turns. (acknowledgements, author bio)

Pub Date: Jan. 24, 2021

ISBN: 978-0-57-883033-9

Page Count: 175

Publisher: Self

Review Posted Online: June 6, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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