A heartbreaking, intelligent exploration of an all-too-real menace.
Friends of a young woman shot to death by her boyfriend are visited by her ghost in this novel set in a small town whose economy is reliant on a local gun manufacturer.
Told in effective alternating third-person narration, one of which is in verse form, this powerful story of the friendship between Beck, Vivian, and Cassie is at once an intensely personal tale of traumatic grief and an examination of domestic violence and the sociopolitical forces of the gun lobby. Distinct voices are established for each of the three young women. Both Beck, an artist and boundary pusher, and Vivian, determined and practical, have been forever changed by the murder-suicide that killed Cassie and also injured Vivian. Their grief drives them to illegally stage and paint murals of Cassie based on various Greek mythological characters all over their town. That Cassie’s murderer was the privileged son of the owner of Bell Firearms accelerates the tension as Beck and Vivian struggle to draw attention to the horror of what happened to their friend. Transcripts of a podcast about domestic violence are also mixed into the narrative, impressively augmenting the already varied structure. Though the auspicious end seems somewhat aspirational, it fits with the fierce search for justice undertaken by its characters. All main characters seem to be White.
A heartbreaking, intelligent exploration of an all-too-real menace. (Fiction. 14-18)Pub Date: Sept. 7, 2021
ISBN: 978-0-06-288505-0
Page Count: 368
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: June 23, 2021
Kirkus Reviews Issue: July 15, 2021
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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