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RECORDS OF THE HIGHTOWER MASSACRE

A bleak, engrossing tale about diversity and acceptance in a tyrannical future world.

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In this dystopian novella, people who don’t fit so-called gender norms are forced to undergo brutal conditioning treatments.

It’s not easy for Black, nonbinary Ash Smith and white, gay trans male Aubrey Tennyson to find employment. The two, who meet at a job fair in an oppressive Midwest confederation in what was once America, diverge from the heterosexual, gender binary society. A recruiter steers the new friends to Hightower, a center that promises to connect them with potential employers. Hightower helps overlooked “people work within the system to find themselves a livelihood and security.” But Ash and Aubrey quickly learn that something is horribly wrong there when they and a small group of others like them wind up trapped in Hightower. The center splits them into male and female groups for “correction”—Aubrey, for example, endures “femininity training.” These sessions entail shocks from a cattle prod or medical device while strapped to a chair. As these vicious acts only escalate in savagery, Ash, Aubrey, and their fellow captives, with some unexpected help, look for a way to escape the tightly locked Hightower and its array of armed guards. The cast of Cooper and Wunn’s novella is superbly diverse. Along with the two leads, there’s pansexual Julia and self-proclaimed “old lesbian” Helen as well as men who don’t abide by the “masculine archetypes” (for example, they aren’t outdoorsy). This timely, relevant plot aptly depicts the harmful effects of a society’s restrictions, as conforming can mean people sadly transforming themselves, from their dress and general demeanors to who they choose to be with. This all unfolds in an increasingly violent and bloody narrative, precipitating scenes that may churn stomachs. At the same time, there aren’t many surprises, especially as readers will anticipate the titular massacre and know who will likely survive it. The final act nevertheless provides a closer look at the dystopian world Ash and Aubrey live in, although this absorbing story stays smartly focused on the harrowing experiences inside Hightower.

A bleak, engrossing tale about diversity and acceptance in a tyrannical future world.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Jan. 30, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TENDER IS THE FLESH

An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.

A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.

Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.

An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.

Pub Date: Aug. 4, 2020

ISBN: 978-1-982150-92-1

Page Count: 224

Publisher: Scribner

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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