EMMETT

A gay teen heartthrob plays cupid for everyone but himself.

Perfect Highbury Academy senior Emmett Woodhouse has it all: good looks, generational wealth, kindness, and even an awareness of his privilege (sort of). He doesn’t have a boyfriend, but that’s only because he doesn’t “do relationships”—his mom died young, so it’s complicated. Instead, Emmett sets up other people. The current project: finding a suitable boyfriend for friend-with-benefits Harrison, who, inconveniently, caught feelings and ended their sexy “tutoring” sessions. Plan after plan backfires—sometimes with a dramatic flurry of petals—but Emmett doesn’t give up at every “incorrect romantic moment.” He pivots. But can he shift to see the love that’s right in front of him, too? This adaptation of Jane Austen’s Emmasees the infamous titular matchmaker effectively gender-swapped and yassified for contemporary audiences. Rosen aptly carries Austen’s torch, delivering comparably witty banter and keen social commentary. The overtly queer lens, however, exceeds expectations with its frank observations about modern queer dating culture. Emmett and bestie Taylor, who is trans, are both Jewish and cued white; other bestie Miles is brown-skinned and donor-conceived, with moms who are white and Indian. The sheer number of auxiliary queer characters in this accepting setting, from teen to college-aged to adult, creates a strong sense of both LGBTQ+ community and possibility.

Delightfully queer and downright swoonworthy.