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SING TO ME

MY STORY OF MAKING MUSIC, FINDING MAGIC, AND SEARCHING FOR WHO'S NEXT

An entertaining, thoughtful account of the music business, one that would-be machers will want to study closely.

“I always know in a few seconds.” Music mogul Reid reveals the secrets of the producer’s trade.

Exhibit A is a young man named Usher Raymond IV, who came into the Atlanta headquarters of LaFace Records at a time when the label was suffering the inevitable growth pains, among them demands from its lead act, the hip-hop group TLC, for more money. Money is, as might be expected, a constant presence and preoccupation in Reid’s narrative, but happily, not at the expense of the music. He writes of having grown up in Cincinnati in the shadow of the King Records building, James Brown’s label. “Rhythm intoxicated me,” he writes, “and eventually it occurred to me that I wanted to play along.” He did so as drummer and driving force for the regionally popular combo called The Deele, which crafted hits for itself and other acts—notably Pebbles, whom Reid would marry. None too star-struck with himself, the author writes of learning his way around the music business, motivated in part by the desire to get out of his mother’s home: “I had no real prospects in the music business,” he notes, “but that didn’t occur to me.” Instead, he kept at it, realizing, critically, that he had a good brain as well as talent. He worked hard to learn as much as he could about that business and eventually stepped from behind the drum kit to take the lead first as a producer, then as a label owner, and then as an executive for the biggest hit-makers—a job, he notes, that is full of infighting and ugly politics. Throughout, Reid conveys his love of music and his open-minded search for new talent, no matter what the genre, including recent discoveries the Kongos and Meghan Trainor. (Incidentally, Usher passed that audition in a few seconds, and the rest is history.)

An entertaining, thoughtful account of the music business, one that would-be machers will want to study closely.

Pub Date: Feb. 2, 2016

ISBN: 978-0-06-227475-5

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 12, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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