A pulsating blood-booster for raw adolescents—nobody over 20 should buy this.
Blade meets Buffy the Vampire Slayer in this first of a trilogy about a no-nonsense guerrilla leader of a rock-’n’-roll vampire-killer band. A girl’s gotta do what a girl’s gotta do to make Rolling Stone.
Like, really, does this all spring from Sun-tzu’s The Art of War, as the pseudonymous Banks suggests? Or does Damali Richards’s destiny spring from an event 20 years before, in New Orleans, when her father, Reverend Armand Richards, was turned by master vampire Fallon Nuit and her mother Sarah went to the swamp witch and fatally tried to follow the witch’s steps for exorcising Fallon Nuit, a member of the Vampire High Council and an elder dweller of the dark realm? While all that took place, the Richards’s infant Damali was baby-sat by Marlene Stone—while now, in the present, Marlene is the graying, visionary, real cool seer-guardian of Damali’s Warriors of Light Productions guardian-slayer band of devampers, with Sistah Marlene on electric violin, Mexican Indian Jose, a.k.a. Wizard, on drums and crossbow, Jake Rider on electric guitar, J.L. on crossbow, wooden stake and computer, Big Mike Roberts as audio-sensor, and Shabazz as Aikido-instructor/choreographer/bassist. That’s a bassist who triples in martial arts and dance? Whatever. You know the drill: Rhino bullets fresh-packed with hallowed earth, holy water grenades with the blast of C-4. Just don’t get nicked and turned when vibes sense in the audience multiple cold bodies that need icing. Nobody’s expendable, and four band members have already been nicked or exhumaned. But chill, man, Damali’s kick-ass elements can bring down a small army of vampires. So let’s do this. Except that Damali’s team now finds itself fighting a newer entity that eats out necks, hearts—call it the Amanthra thing from Hell. Later, Fallon Nuit abducts Damali’s sometime lover Carlos Rivera, a Hollywood club owner, and tempts him with the earthly glories earned by Blood Music, Inc. Bad, bad Carlos.
A pulsating blood-booster for raw adolescents—nobody over 20 should buy this.Pub Date: June 1, 2003
ISBN: 0-312-31680-1
Page Count: 304
Publisher: St. Martin's Griffin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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