Johnson negotiates a path between vengeance and hand-wringing despair in this thoughtful and probing collection.
Who pays the costs of violence, whether waged against a person, group, or environment? That’s the broad question Johnson (Creative Nonfiction/Rice Univ.) tackles in this follow-up to her 2014 memoir, The Other Side.
While the author’s previous book described her hellish experience as a victim of kidnap and rape, this book of essays takes the recovery process to the next level, searching for ways to redress loss without resorting to eye-for-eye retribution. Johnson has startled audiences by refusing to wish the worst for her own attacker: “I don’t want him dead. I don’t even want him to suffer. More pain creates more sorrow, sometimes generations of sorrow, and it amplifies injustice rather than cancels it out.” Doling out punishment is easy; the challenge comes in creating change, especially in figuring out just where it begins. As her thoughts switch gears from the personal to the collective, the question of personal culpability increases. She’s against racism, but she knows she has enjoyed white privilege in her role as a professor. She protests against the BP Deepwater Horizon spill but wonders if her own job—at a school that is also a BP beneficiary—doesn’t in some way make her responsible. She asks, too, if rehabilitation is possible when the criminal is either a major corporation or, in the case of a landfill with World War II–era toxic waste, no longer around to face the consequences. “There is no one to arrest for this, to send to jail, to fine or execute or drag to his humiliation on the city square,” writes the author. In the face of crimes that affect both the one and the many, she makes a plea for activism, art, and—as she experienced when her Houston home flooded last year—common decency.
Johnson negotiates a path between vengeance and hand-wringing despair in this thoughtful and probing collection.Pub Date: Oct. 9, 2018
ISBN: 978-1-5011-5900-8
Page Count: 336
Publisher: Scribner
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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