A brassy, forthright autobiography from the flamboyant, cross- dressing black diva made famous by John Berendt's bestselling Midnight in the Garden of Good and Evil. As Berendt's admiring introduction notes, The Lady Chablis is a legal name, adopted as much for copyright protection as to define her identity. That's typical of the savvy, self-promoting Grand Empress of Savannah: She bills herself as a performance artist rather than as a drag queen. Controlling perceptions of herself (and generally getting her way) is a top priority for the willful Chablis. Labels having always been an issue, she prefers to name herself. Chablis's talent emerged early; she started performing in drag at age 14. Her defiant embrace of femininity earned beatings from her abusive parents but acceptance from small-town Florida neighbors. Chablis candidly relates a string of professional and personal troubles, including struggles with drugs and alcohol, battles with unscrupulous club owners, and a series of unsatisfactory romances; her honesty provides substance beneath the sass. Like her nightclub act, which evolved from lip-synching disco tunes to politically charged monologues, her life, as she comes to see it, is about the struggle to find a voice and to gain respect. After she's arrested for the possession of drugs (she has to explain why she calls herself Brenda Knox when her driver's license says that she is Benjamin Knox, her birth name), Chablis confronts the question of how to force the world to accept her as a woman. She considers but rejects sex-change surgery, opting instead to be her outrageous self without giving up her ``candy.'' She remains a preoperative transsexual, a clinical definition that answers the most tiresome question directed at her but inadequately describes the verve and boldness with which she has lived her life and recounts it here (aided by freelance writer Bouloukos). A funny, combative walk on the wild side, told with tremendous heart and charm. (photos, not seen) (Author tour)
Pub Date: Aug. 1, 1996
ISBN: 0-671-52094-6
Page Count: 208
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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