An entertaining work of exceptional vitality.
Covering just one day, these closely linked stories reveal the many ties and secrets of a rural Indiana town.
It’s the early 1980s and Reagan is president. As she prepares for the monthly gathering of the Bright Creek Girls Gaming Club, Candy Wilson realizes she’s forgotten to buy paprika for her deviled eggs. Elsewhere in Bright Creek, Turner Davis is late getting his zinnias in. Horace Allen smells the sea from the mix of herbs and vegetables in his garden. Each of the 14 stories is named for a town resident, and most are told in a close third person that shares characters’ thoughts and memories, often in connection with their neighbors. The paprika and zinnias might suggest a fair helping of the mundane, but Hunt, whose novels have featured war, racism, and sorcery, has a lot going on here. As he charts how often, and amusingly, characters’ paths cross in a small town, he delves into “all those little secrets that weren’t secrets at all,” from a teacher who is fired amid rumors of lesbianism to a high school custodian who was once a “promising ballroom dancer” to a World War II veteran who found unrequited love on Crete. Hunt gets a lot of life on the page with the shrewd accumulation of details. The teacher, Irma Ray, recently hanged herself, and her real secret is a late revelation. Also appearing is Zorrie Underwood, the title character from Hunt’s novel Zorrie (2021), which furnishes a few other people in the new work. This sort of cross-pollination comes up in recent novels by Elizabeth Strout and Michael Farris Smith, both writers with a defined literary terrain, which may be something Hunt is working toward. In broader terms, his book harks back to Our Town, of which Thornton Wilder said he sought “to find a value above all price for the smallest events of our daily life.”
An entertaining work of exceptional vitality.Pub Date: Feb. 6, 2024
ISBN: 9781639730100
Page Count: 224
Publisher: Bloomsbury
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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