A novel that humanizes the war in a way that body counts and political analyses never will.
Written with acute psychological insight and poetic flair, this deeply moving novel illuminates the ravages of war as experienced by a South Vietnamese family.
In a rewarding follow-up to her well-received debut, Monkey Bridge (1997), the author returns to the conflict that shaped her own destiny before she was airlifted from her native Saigon to live in Virginia. Here, she shows what happens to a family of four—a South Vietnamese airborne commander, his beautiful wife and their two young daughters—as the war challenges loyalties with betrayals. The story is narrated by two characters: Mai, the younger daughter, who recalls her girlhood as the war intensified from her current home in Virginia; and Minh, her father, who's living with Mai and with his memories of what transpired in Vietnam 40 years earlier. “Saigon still wraps itself around me and squeezes me with sudden force,” he explains, though the traumatic effects on Mai prove stronger and even stranger. What’s plain from the setup, with its alternating voices, is that only half of this family will be telling the story, a story in which what happened to the other two proves crucial. The novel’s most complex figure is Quý, Mai’s mother and Minh’s wife, from whom the reader never hears but whose depth of character reveals itself through the perspectives of others. She made a sacrifice by marrying a man considered below her, and she continued to make sacrifices, some of which seemed like betrayals, to protect the lives of those she loved, including her Viet Cong brother as well as her husband. Mai can't really comprehend through a child’s eyes what's happening with her family and how threatened their future is, though she intuitively senses that something is wrong. Even Minh doesn’t realize until decades later what really happened, and the revelations will surprise the reader as well.
A novel that humanizes the war in a way that body counts and political analyses never will.Pub Date: Aug. 14, 2014
ISBN: 978-0-670-01692-1
Page Count: 400
Publisher: Viking
Review Posted Online: July 16, 2014
Kirkus Reviews Issue: Aug. 1, 2014
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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