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UNDER LOCH AND KEY

This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.

A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.

Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.

This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.

Pub Date: Dec. 3, 2024

ISBN: 9780593816851

Page Count: 416

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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DEEP END

A surprisingly sensual sports romance.

A collegiate diver and swimmer secretly pursue kink together, and risk falling in love along the way.

Scarlett Vandermeer is struggling. Despite a successful recovery from the injury that almost ended her Stanford diving career, she hasn’t been able to get her head together, and it’s affecting her performance. Plus, she’s trying to stay focused on getting into medical school. A relationship would be out of the question. By comparison, Lukas Blomqvist is a swimming idol, a record-breaker who wins medals as easily as breathing, and Scarlett has long been convinced he would never look in her direction—until one fateful night when a mutual friend lets slip that they have something unexpected in common: Scarlett likes to be submissive in the bedroom, while Lukas prefers to take a dominant approach. Now, they both know a big secret about each other, and it’s something neither of them can stop thinking about. It’s Lukas who suggests they have a fling—purely physical, just to take the edge off, so Scarlett can get out of her own head and stop overthinking her dives. Initially, their arrangement is easy to stick to, but the more time they spend together, the more Scarlett starts to realize that what she feels for Lukas is more than physical attraction. Complicating the situation is the fact that Scarlett’s friend Penelope Ross used to go out with Lukas, and the longer Scarlett keeps mum about her true feelings for him, the more difficult it is to keep the situation hidden from another person she really cares about. While Scarlett and Lukas’ relationship does begin as a physical one, their deeper psychological connection takes a little too long to emerge amid all the other storylines, resulting in a somewhat rushed resolution. However, Hazelwood’s latest is proof of the depth and maturity that has emerged in her writing over the years, and it highlights her embrace of sexier, more emotional elements than were present in her original STEMinist rom-coms.

A surprisingly sensual sports romance.

Pub Date: Feb. 4, 2025

ISBN: 9780593641057

Page Count: 464

Publisher: Berkley

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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