Readers are sure to fall under the magic spell of Thistle Grove and its inhabitants.
A young witch, desperate for a normal life, reluctantly returns to her magical hometown for a traditional gathering.
After almost five years living a magic-free life in Chicago, Emmy Harlow thought she'd finally gotten Thistle Grove out of her system for good. Driven away by a horrible breakup with her first love, Gareth Blackmoore, and her dissatisfaction with being a member of the weakest of the town’s four witchy clans, Emmy is sure she’s much happier in the city working for faux magic subscription service Enchantify than she ever could be at home. But her duty as scion of the Harlow family means her presence is expected at this year’s Gauntlet of the Grove. Held every 50 years, the competition tests the strength, wit, and skills of each of the town’s three most powerful families—the Blackmoores, the Avramovs, and the Thorns—with the Harlows acting as arbiters and record-keepers. The winning family’s magic power is increased, bending fortune in their favor and giving them ultimate influence over the town and its economy. Since the Blackmoores have been winning “since pretty much time’s inception,” the other families and their respective businesses are now struggling to survive. When Emmy is approached by her best friend, Linden Thorn, and the gorgeous Avramov scion, Talia, with a scheme to rig the competition against Blackmoore scion Gareth, she agrees—changing the course of the families’ histories forever in the process. The action of the Gauntlet takes a back seat to the characters’ personal dramas and the intense romance that develops between Emmy and Talia. But the author’s writing shines in the small moments, particularly in the lush language used to capture the enchanting, autumnal atmosphere of quaint Thistle Grove and its supernatural allure.
Readers are sure to fall under the magic spell of Thistle Grove and its inhabitants.Pub Date: Oct. 5, 2021
ISBN: 978-0-593-33606-9
Page Count: 352
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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