A navel-gazing but forthright and entertaining spiritual novel.
A veteran cop questions Jesus Christ about the darkness and human suffering he’s seen during his 30 years on the job in LoRusso’s (The World Class Rainmaker, 2012, etc.) novel.
Deputy chief of police Scotty Painter suddenly finds himself in a world of near-perfect serenity, featuring clean air, lush fields, and endless beaches, where he’s finally able to relax the constant vigilance that comes with being a cop. Jesus Christ—here, a wry, loving, reassuring agent of a merciful God—joins him as he struggles with the horrors he’s witnessed in his long career in law enforcement, as well as the fact that he had to take lives in the line of duty. Scotty questions whether he’s done enough with his life; he’s a man who feels his failures more deeply than his successes, fearing that his greatest achievements—such as stopping an abusive husband, training and supporting his fellow officers, and establishing a special counseling program—weren’t enough. LoRusso wrote extensively about officer-involved shootings in his 2013 book When Cops Kill, and in his first work of fiction, he couples that real-world knowledge with a spiritual focus. He presents Scotty as an unimpeachable officer who still wrestles morally with using lethal force. The book’s conversation-with-God approach feels pat. However, the author has a knack for action scenes, keeping them exciting but never exploitative; even in flashbacks, the danger feels very real. Scotty experiences bouts of sudden sleep and pain throughout the narrative, which provides a clue to why he has an audience with Jesus and offers a nice metaphor for life itself. There are some underused story elements, such as the death of Scotty’s father when he was a child, the recent loss of his wife, and his relationship with their daughter, Celina, which take a back seat to tales of his work as a cop.
A navel-gazing but forthright and entertaining spiritual novel.Pub Date: Nov. 12, 2015
ISBN: 978-1-61005-688-5
Page Count: 140
Publisher: BookLogix
Review Posted Online: Nov. 24, 2015
Review Program: Kirkus Indie
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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