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JOHN, PAUL, GEORGE & BEN

Despite the Beatles-reminiscent title, this offering concerns itself with not four, but five of the Founding Dads: John (Hancock), Paul (Revere), George (Washington), Ben (Franklin) and Tom (Jefferson). Each is imagined in his youth, identified by one characteristic that becomes key to his involvement in the American Revolution. John is bold, writing his name large on the blackboard; Paul is noisy, bellowing out customers’ orders in his family’s shop; George is honest, confessing to the chopping down of not only the cherry tree, but the whole orchard; Ben is clever, sharing his aphorisms with all who will listen; and Tom is independent, making a model of Monticello instead of a birdhouse out of “ye olde balsa wood.” Smith’s faux-antiqued illustrations deliver bucket-loads of zany energy, but his text lacks his sometime partner Jon Scieszka’s focus. While there is a hallowed place for irreverence in children’s literature, one might wish for a work that more evenly balances humor with substance. Still, this may serve as an entry point for kids who think that history is dry as dust, and “Ye Olde True or False Section” really is pretty funny. (Picture book. 5-9)

Pub Date: April 1, 2006

ISBN: 0-7868-4893-6

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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LET THE CHILDREN MARCH

A powerful retrospective glimpse at a key event.

A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.

Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.

A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)

Pub Date: Jan. 2, 2018

ISBN: 978-0-544-70452-7

Page Count: 40

Publisher: HMH Books

Review Posted Online: Oct. 15, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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MORE THAN ANYTHING ELSE

An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)

Pub Date: Sept. 1, 1995

ISBN: 0-531-09464-2

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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