Fun and illuminating, with a few threads left dangling for the next installment.
The second volume in Stone’s Big Picture thriller trilogy finds murder and skullduggery in the high-priced world of fine art.
Emma Kelly, who runs an art recovery agency and is an adjunct professor of art history (with a special interest in the artistic portrayal of biblical women), is at the National Museum for Women in the Arts to meet the world-famous artist Julia Belvedere Jones. With Emma is her husband, Elliot Baldwin, Assistant Director in Charge of the FBI’s New York field office. The museum has acquired a new work by Julia, but the artist says she did not paint it. The subjects in the painting are David, Bathsheba, and Uriah the Hittite. Emma and Elliot are stunned when they see their own visages staring back at them from the canvas. Stranger still, the face of Uriah resembles that of Emma’s former husband, Jason, who was murdered three years earlier while on assignment for his FBI superior, Elliot. Emma is secretly living a double life that takes her back and forth to her “other” home in England—as the story unspools, Emma, who becomes the target of a deranged killer, is set on a path that brings her two worlds dangerously close to a head-on collision. The personal drama is only one part of Stone’s complex mystery—the novel also pulls back the curtain to reveal the grimy backstage machinations and duplicities behind the gloss of the fashionable galleries and auction houses that unwittingly, and sometimes knowingly, serve as money launderers for an assortment of bad actors. Stone also offers a detailed primer on the investigative and testing processes used to authenticate antique works of art (“Private firms use AI to compare artwork to works by the same artist…It’ll take a few weeks to get the heat map that highlights the areas of primary concern for human connoisseurs to investigate further”). Although the lengthy discussions of art history (and liberal indulgences in art-world name dropping) occasionally slow the action, there is sufficient tension and mayhem to keep the pages turning.
Fun and illuminating, with a few threads left dangling for the next installment.Pub Date: Nov. 21, 2023
ISBN: N/A
Page Count: 250
Publisher: Level Best Books
Review Posted Online: Nov. 16, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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