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CAULDRON

Zut! The French are the villains in this new futurotechnothriller by Navy veteran and military analyst Bond (Vortex, 1991; Red Phoenix, 1989)—who continues to write battle scenes good enough to keep the old disbelief suspended in a closet somewhere. The setup this time is an economic and military collaboration between France and Germany sometime after the defeat of President Clinton. The Common Market has given way to an unpleasant and unsatisfactory master-slave relationship between the two rich countries and still-poor Eastern Europe, as well as some unhealthy codependency with the Benelux countries and Scandinavia. Then France decides to ship its unwelcome guest workers off to Hungary to replace Hungarian workers in French-owned factories and at the same time sews up a dirty deal with the Germans to take over the continent. War becomes inevitable, and Poland, Slovakia, and the Czechs alone have the nerve to resist. But who cares? Their only friends are the Americans, best known for their dithering and political cowardice. Right? Wrong! America cares. With the help of rich industrialist Ross Huntington III, the President comes up with a tough plan to help those plucky countries hang on and, at the same time, punish the French for their decades of rudeness to tourists. Since France and Germany are old NATO powers, the battle that breaks out pits American-designed weapons and tactics against American-designed weapons and tactics. The Germans are gutsy and well organized, the French arrogant and craven. Trouble is expected from the Russians, whose president has been locked up by a reactionary general. Heroics are provided by, among others, a patriotic Hungarian cop, a Polish-American flyboy, a lovely American commercial analyst, a suave Russian colonel, and a former East German officer. Before everything is sorted out, the French will reach for their nuclear weapons. Rattles along at a nice pace. Gadgetry is subordinated to tactics, and that's to the good. Plenty of tank action for the WW II fans.

Pub Date: June 11, 1993

ISBN: 0-446-51567-1

Page Count: 608

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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