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FATHER AND SON

From a small rural southern world of guns and hounds and whiskey, Mississippi writer Brown (Joe, 1991, etc.) fashions a redneck tragedy of timeless dimensions—a novel in which fate drives the plot to its necessarily bloody denouement. A portrait of true evil is at the heart of this sad tale of betrayal and revenge, with its almost casual allusions to fratricide, parricide, and incest. Evil has a name: Glen Davis, the bad seed of Virgil and Emma, who arrives back in town after serving three years for vehicular homicide in Parchman penitentiary, where he seems to have nursed his grudges and hates, all of which he settles in the few days covered in this novel. High on his list of unfinished business is his old lover, Jewel, the mother of a four- year-old boy he refuses to acknowledge. Faithful through his prison stay, Jewel realizes how hopeless their future is, and when Glen returns, she turns to Bobby Blanchard, the sheriff who loves her and whose own history is closely tied to Glen's. In his first hours back home, Glen robs, rapes, and murders, proving beyond a doubt his bone-level badness. Without forgiving Glen's behavior, Brown sketches in his troubled past: the accidental shooting of his brother Theron, his mother's bizarre sexual behavior, and her relentless fixation on the idea that Blanchard's widowed mother is her husband's true love—which isn't so far from the truth, though they've always behaved honorably. Meanwhile, Bobby's job brings him face to face with evil's many forms: a hillbilly dad who kills his crying son, a grownup man who kills his daddy, and the just plain inexplicable fate that takes an 11-year-old's life by drowning. Providential order asserts itself in Glen's bloody punishment—a punishment he not only deserves but seems, finally, to invite. A riveting tale of an unforgiving and cruel world. (Author tour)

Pub Date: Sept. 20, 1996

ISBN: 1-56512-014-0

Page Count: 360

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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