A realistic and engaging love story in a finely illustrated setting.
A debut novel focuses on two close friends in 1990s New York City.
The year is 1995, and Harry Charity and Jay Bishop work at a magazine called Element. Harry and Jay forge a bond when they discover they are both fans of the Beat generation. This enthusiasm reaches a new level when the two visit the New York Public Library. It is there that they see the famous scroll of Teletype paper that Jack Kerouac used to compose On the Road. It’s a match made in heaven. The two pals eat lunch together frequently and discuss writing something as a team. While Harry is single and (at least somewhat) looking for the man of his dreams, Jay seems to be straight. Jay dates an art student named Zahra Kaviani. They may have their ups and downs, but they are a serious couple. As for Harry, he focuses on his romantic problems and work. Whether Harry is reflecting on his past relationship with a man named Matteo Ortiz or interviewing Allen Ginsberg, he has much to contemplate. Closs’ story paints an inviting picture of ’90s New York. Subway tokens are on the way out and email is on the way in. Bookstores abound, and no one stares at a cellphone on a night out. Place in this world likable characters like Harry and Jay, and the stage is set for an enjoyable drama about unrequited love. Readers will feel sympathy for Harry when he pets his cat and stares off into the city night. But other aspects of the tale can be tedious. At one point, Jay ruminates on a potential career move: “I don’t want to seem like I’m begging for the job. If he offers it to me, I want to be able to say, ‘These are my terms.’ ” Such work-related discussions are as dull as they sound. This is especially true when there are more heartfelt matters at stake.
A realistic and engaging love story in a finely illustrated setting.Pub Date: Sept. 6, 2022
ISBN: 9781608642274
Page Count: 272
Publisher: rEBEL SaTOri PrESS
Review Posted Online: Nov. 10, 2022
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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