A gritty, action-packed, but uneven war tale.
In this historical novel, an American soldier braves the perils of World War I in France and falls in love with a nurse.
Sam McCormick tragically loses both his parents when the Lusitania is sunk by a German U-boat; they were sailing to England to visit relatives. Hungry for vengeance, he joins the National Guard in 1916 in Wellsville, Ohio, and soon finds himself on the war’s front lines in France, an infantryman who is part of the Rainbow Division. Now a sergeant, Sam is repeatedly exposed to the “terrifying trip into hell” that is combat and the despairing “orgy of death” that is war. He suffers multiple gunshot wounds and a mustard gas attack and twice finds himself sent to a field hospital. The first time, he meets beautiful French nurse Marie Petit and all but instantly falls in love with her. They maintain an epistolary romance conducted under the bleak specter of the war’s uncertainty. In this series opener, Freeland deftly captures the reality of the “life of a front-line doughboy” and the nearly indescribable grimness of a war that seemed interminable. The author clearly aims for literal realism—depicting a field hospital in Château-Thierry, he evokes “the odor of dead and decaying men” as well as the moans and cries of frightened, desolate soldiers. In addition, the plot marches along at a relentless pace—Sam sees plenty of action, with his military adventures culminating in the “monumental battle of the Meuse-Argonne.” But this is a familiar story that rarely departs from the formulas of the genre. For readers with even a cursory knowledge of novels depicting modern wars, there is not much that’s original here. Moreover, the author’s writing is sometimes bland, and the book strikes an earnest, sentimental tone. At one point, musing about Marie, the protagonist thinks: “I’ve never felt this way about a woman before and have no idea how to deal with my feelings. This is not going to be easy!”
A gritty, action-packed, but uneven war tale.Pub Date: N/A
ISBN: 978-1-954000-40-7
Page Count: 394
Publisher: Publish Authority
Review Posted Online: June 8, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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